Veljo Tormis, musica intima made "Eesti Kalendrilaulud: No. 5. Jaanilaulud: Jaani hobu" available on April 3, 2006. With Eesti Kalendrilaulud: No. 5. Jaanilaulud: Jaani hobu being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Veljo Tormis: Forgotten Peoples (Excerpts) by Veljo Tormis, musica intima. The song's track number on the album is #12 out of 34 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Eesti Kalendrilaulud: No. 5. Jaanilaulud: Jaani hobu is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Eesti Kalendrilaulud: No. 5. Jaanilaulud: Jaani hobu by Veljo Tormis, musica intima has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Eesti Kalendrilaulud: No. 5. Jaanilaulud: Jaani hobu being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Life-giving Spring | Victoria Vita Polevá, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Reminiscentia / Spring Sketches: III. Evening Sky | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | C Minor | 0 | 5A | 136 BPM | ||
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM |
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