Edvard Grieg, Janina Fialkowska's 'Pièces lyriques, Livre 1, Op. 12 No. 5: Mélodie populaire' came out on May 1, 2015. With Pièces lyriques, Livre 1, Op. 12 No. 5: Mélodie populaire being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edvard Grieg, Janina Fialkowska's "Grieg: Lyric Pieces" album is number 2 out of 25. On top of that, Canada appears to be the country where this track was created. Pièces lyriques, Livre 1, Op. 12 No. 5: Mélodie populaire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces lyriques, Livre 1, Op. 12 No. 5: Mélodie populaire by Edvard Grieg, Janina Fialkowska to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Lyric Pieces, Book 1, Op. 12: II. Waltz | Edvard Grieg, Leif Ove Andsnes | E Minor | 0 | 9A | 152 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Bach, JS: Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro | The Knights, Johnny Gandelsman, Adam Hollander | C Minor | 3 | 5A | 99 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 4. Moderato | Franz Schubert, Alfred Brendel | D♭ Minor | 0 | 12A | 78 BPM | ||
Estudio Brillante de Alard | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 89 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM |
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