"Candide / Act I: 11. The Paris Waltz" by Leonard Bernstein, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 11. The Paris Waltz is about 3 minutes long, at 3:17. Based on our data, "Candide / Act I: 11. The Paris Waltz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act I: 11. The Paris Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 11. The Paris Waltz by Leonard Bernstein, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliette, Act II: Entr'acte | Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Betrayal & Desolation | James Horner, London Symphony Orchestra | G Major | 1 | 9B | 84 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: 1b. What Passing Bells for These who die as Cattle? | Benjamin Britten, Sir Peter Pears, Melos Ensemble, The Bach Choir, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 1 | 2B | 82 BPM | ||
Carmen / Act 1: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 115 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 3, Scene 2: No. 50, Amoroso | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 74 BPM | ||
Polovetsian Dances from Prince Igor: Allegro vivo | Alexander Borodin, George Szell, Cleveland Orchestra | F Major | 3 | 7B | 81 BPM | ||
Norma (1997 Digital Remaster): Sinfonia ( Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 141 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM |
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