Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery's 'Finale: Scene 1 (Onegin Ballet Suite No 9)' came out on November 5, 2010. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial". In this album, this song's track order is #4. In terms of popularity, Finale: Scene 1 (Onegin Ballet Suite No 9) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale: Scene 1 (Onegin Ballet Suite No 9) by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
"Lobgesang" in B Flat Major, Op. 52, MWV A18 / Sinfonia: Allegretto un poco agitato | Felix Mendelssohn, Gewandhausorchester, Riccardo Chailly | E♭ Minor | 0 | 2A | 109 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Raymonda, Act III: Entree | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 68 BPM | ||
Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 14, The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 87 BPM | ||
Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM |
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