"Piano Concerto No. 4 in D Minor, Op. 70: II. Andante" by Anton Rubinstein, BBC Scottish Symphony Orchestra, Michael Stern, Marc-André Hamelin was released on October 1, 2005. Piano Concerto No. 4 in D Minor, Op. 70: II. Andante appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rubinstein: Piano Concerto No. 4 – Scharwenka: Piano Concerto No. 1 (Hyperion Romantic Piano Concerto 38)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Piano Concerto No. 4 in D Minor, Op. 70: II. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 4 in D Minor, Op. 70: II. Andante by Anton Rubinstein, BBC Scottish Symphony Orchestra, Michael Stern, Marc-André Hamelin having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Révérence (from Rêve Angélique) | Douglas Schultz, Anton Rubinstein | F♯ Minor | 1 | 11A | 78 BPM | ||
Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | C Minor | 1 | 5A | 98 BPM | ||
Soirees Musicales, Op. 109: No. 7 Badinage I: Allegro Con Moto | Joseph Banowetz, Anton Rubinstein | D♭ Major | 1 | 3B | 149 BPM | ||
Piano Trio No. 39: Piano Trio No. 39: II. Poco adagio | Franz Joseph Haydn, Trio Wanderer | E Major | 0 | 12B | 89 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
The Flight Of The Bumble-Bee, From "The Tale Of Tsar Saltan" | Alexander Gindin | G Minor | 2 | 6A | 100 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM |
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