"2 Mélodies, Op. 3: 1. Moderato assai" by Anton Rubinstein, Shura Cherkassky was released on January 1, 1974. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shura Cherkassky's "Kaleidoscope: Piano Encores" album is number 9 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 2 Mélodies, Op. 3: 1. Moderato assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Mélodies, Op. 3: 1. Moderato assai by Anton Rubinstein, Shura Cherkassky to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 78 BPM | ||
Pictures at an Exhibition: Promenade V | Modest Mussorgsky, Shura Cherkassky | E♭ Minor | 0 | 2A | 121 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Cello Concerto In B Flat: 3. Rondo (Allegro) | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM | ||
Soirées de Vienne, S. 427: No. 6, Allegro con strepito (After F. Schubert) - First version | Franz Liszt, Evgeny Kissin | A Major | 1 | 11B | 106 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 80 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. for piano by Wilhelm Kempff: Jesu, Joy of Man's Desiring | Johann Sebastian Bach, Wilhelm Kempff | G Major | 2 | 9B | 69 BPM | ||
The Well-Tempered Clavier Pt. 1: Prelude No. 1 in C Major, BWV 846 | Johann Sebastian Bach, Yu Jung Yoon | C Major | 0 | 8B | 71 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Sir Colin Davis, Murray Perahia, Bavarian Radio Symphony Orchestra | B♭ Major | 2 | 6B | 103 BPM |
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