Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury made "Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est" available on March 18, 2002. With Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi Gloria by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #29 out of 30 tracks. In terms of popularity, Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dettingen Te Deum: X. Thou Didst Open the Kingdom of Heaven | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | E♭ Major | 1 | 5B | 75 BPM | ||
Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
A Boy Was Born, Op. 3: Theme: A Boy Was Born | Benjamin Britten, Elora Festival Singers, Noel Edison | B♭ Minor | 0 | 3A | 87 BPM | ||
Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris | Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Michael Chance | B♭ Minor | 1 | 3A | 101 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: No. 2, Recitative accompanied, "Comfort ye, my people" (Tenor) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Allan Clayton, Academy of Ancient Music | B♭ Major | 1 | 6B | 78 BPM | ||
The Lamb | John Tavener, Stephen Cleobury, Choir of King's College, Cambridge | G Major | 0 | 9B | 143 BPM | ||
A Ceremony of Carols, Op. 28: VI. This Little Babe | Benjamin Britten, The Choir Of Trinity College, Cambridge, Richard Marlow | B♭ Minor | 1 | 3A | 81 BPM | ||
Messiah / Part 1: "Rejoice Greatly, O Daughter Of Zion" | George Frideric Handel, Judith Nelson, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 112 BPM | ||
Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) | Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
A boy was born, Op. 3: A Boy Was Born (Theme) | Benjamin Britten, Choir of King's College, Cambridge, Ladies From Cambridge University Choir, Stephen Cleobury | G Major | 0 | 9B | 91 BPM |
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