"Ella mi fu rapita... Par veder le lagrime" by Mario del Monaco had its release date on February 24, 1951. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 38 out of 41. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ella mi fu rapita... Par veder le lagrime is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ella mi fu rapita... Par veder le lagrime by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 102 BPM | ||
Tu ca' non chiange! | Ernesto de Curtis, Mario del Monaco, Orchestra, Ernest Nicelli | E♭ Major | 3 | 5B | 93 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
Norma / Act 1: "Svanir le voci!...Meco all'altar di Venere" | Vincenzo Bellini, Mario del Monaco, Athos Cesarini, Chorus, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Major | 3 | 5B | 126 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Norma: Act I: Ah! Bello a me ritorna (Norma, Oroveso, Chorus) | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM | ||
Ave verum corpus, K.618 | Wolfgang Amadeus Mozart, Mario del Monaco, Brian Runnett | F Major | 3 | 7B | 75 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Mario / Arr Schifrin: Around the World Part 9: Santa Lucia Luntana | Márió, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 1 | 7B | 76 BPM |