Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime
Carl Orff, Edita Gruberova, Berliner Philharmoniker, Seiji Ozawa
Orff: Carmina Burana
0:48 January 1, 1989
BPM
79
Key
D Minor
Camelot
7A

Embed

Share Link

Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime - Carl Orff, Edita Gruberova, Berliner Philharmoniker, Seiji Ozawa Information

Acousticness
91%
Danceability
24%
Energy
29%
Instrumentalness
1%
Liveness
30%
Loudness
66%
Speechiness
3%
Valence
42%
Popularity
Loudness
-20.116 dB

Summary

Carl Orff, Edita Gruberova, Berliner Philharmoniker, Seiji Ozawa made "Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime" available on January 1, 1989. With Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Netherlands. Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime BPM

With Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime by Carl Orff, Edita Gruberova, Berliner Philharmoniker, Seiji Ozawa having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non moltoKaroly BotvayF Minor14A151 BPM
Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries by Richard Wagner, Daniel Barenboim, Chicago Symphony OrchestraWagner: Die Walküre, WWV 86B, Act 3: The Ride of the ValkyriesRichard Wagner, Daniel Barenboim, Chicago Symphony OrchestraB Minor310A93 BPM
Scheherazade: Calm - the triumph of Scheherazade by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: Calm - the triumph of ScheherazadeNikolai Rimsky-Korsakov, Joakim SvenhedenE Minor09A68 BPM
Wiegenlied beim Mondschein zu singen, Matthias Claudius, für Sprechstimme und drei Marimbaphone (Paralipomena Nr. 33, Carl Orff 1977) by Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max FreyWiegenlied beim Mondschein zu singen, Matthias Claudius, für Sprechstimme und drei Marimbaphone (Paralipomena Nr. 33, Carl Orff 1977)Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max FreyC Major08B77 BPM
Carmina Burana: Stetit puella by Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin AlsopCarmina Burana: Stetit puellaCarl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin AlsopC Minor25A95 BPM
Carmina Burana: No. 1, Fortuna Imperatrix Mundi, Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna"Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van ImmerseelD Major310B134 BPM
Grieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance by Edvard Grieg, The Norwegian Radio Orchestra, Ari RasilainenGrieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian DanceEdvard Grieg, The Norwegian Radio Orchestra, Ari RasilainenG Major19B134 BPM
Tannhauser, Act II: Einzug der Gaste auf der Warburg by Richard Wagner, Budapest Symphony Orchestra, György LehelTannhauser, Act II: Einzug der Gaste auf der WarburgRichard Wagner, Budapest Symphony Orchestra, György LehelB Major11B130 BPM
Music For The Royal Fireworks, HWV 351: IV. Allegro Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance"The London Symphony Orchestra & I FiamminghiD Major610B119 BPM
ISRC
NLA508721923
Label
L-M Records/RCA Records

Section: 0.5944433212280273

End: 0.5983259677886963