Carl Orff, Edita Gruberova, Berliner Philharmoniker, Seiji Ozawa made "Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime" available on January 1, 1989. With Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Netherlands. Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana / 3. Cour d'amours: XXIII. Dulcissime by Carl Orff, Edita Gruberova, Berliner Philharmoniker, Seiji Ozawa having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries | Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 3 | 10A | 93 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Wiegenlied beim Mondschein zu singen, Matthias Claudius, für Sprechstimme und drei Marimbaphone (Paralipomena Nr. 33, Carl Orff 1977) | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | C Major | 0 | 8B | 77 BPM | ||
Carmina Burana: Stetit puella | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | C Minor | 2 | 5A | 95 BPM | ||
Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna" | Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van Immerseel | D Major | 3 | 10B | 134 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM | ||
Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" | The London Symphony Orchestra & I Fiamminghi | D Major | 6 | 10B | 119 BPM |
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