"Flute Concerto: III. Allegro con brio" by Krzysztof Penderecki, Petri Alanko, Tapiola Sinfonietta, Okko Kamu was released on April 20, 1999. Flute Concerto: III. Allegro con brio appears to be safe for all ages as it is not explicit. There is only one song in 20th Century Music for Flute And Orchestra, so we believe that "Flute Concerto: III. Allegro con brio" is a single. Based on our statistics, Flute Concerto: III. Allegro con brio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flute Concerto: III. Allegro con brio by Krzysztof Penderecki, Petri Alanko, Tapiola Sinfonietta, Okko Kamu is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Medeira River | Philip Glass, Kristjan Järvi, Charles Coleman, MDR Leipzig Radio Symphony Orchestra, Absolute Ensemble | C Major | 5 | 8B | 118 BPM | ||
String Quartet No. 3, "Mishima": I. 1957: Award Montage | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 120 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 | Carl Orff, Karl Peinkofer Percussion Ensemble | C Major | 0 | 8B | 100 BPM |
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