"Le Corsaire : Act II, No.30 Love Scene" by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik was released on January 1, 2003. The duration of Le Corsaire : Act II, No.30 Love Scene is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Le Corsaire : Act II, No.30 Love Scene's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Le Corsaire : Act II, No.30 Love Scene is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Corsaire : Act II, No.30 Love Scene by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): III. Moderato: Women's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 101 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Squirrel Nutkin | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | G Major | 2 | 9B | 131 BPM | ||
Henry VIII: Introduction | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 95 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): II. Girl of the Moment | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM |
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