"Preludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin (Arr. M. Daisuke for Harp & Electronics)" by Claude Debussy, Ellen Bødtker, MATSUSAKA DAISUKE was released on August 23, 2019. With this song being about 5 minutes long, at 4:54, "Preludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin (Arr. M. Daisuke for Harp & Electronics)" by Claude Debussy, Ellen Bødtker, MATSUSAKA DAISUKE is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in MATSUSAKA DAISUKE's "Music for Diffusing a Sleepy Environment" album is number 1 out of 10. On top of that, Japan appears to be the country where this track was created. Preludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin (Arr. M. Daisuke for Harp & Electronics) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin (Arr. M. Daisuke for Harp & Electronics) by Claude Debussy, Ellen Bødtker, MATSUSAKA DAISUKE to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
2 Arabesques: Arabesque No. 1 | Claude Debussy, François-Joël Thiollier | F♯ Minor | 0 | 11A | 67 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.8741617202758789
End: 0.8789122104644775