Nicol Matt, Martina Rotbauer, Jörg Halobek, Robert Sagasser, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Johann Sebastian Bach, Nordic Chamber Choir made "Gott, Der Du Selber Bist Das Licht Bwv 316" available on March 28, 2007. With Gott, Der Du Selber Bist Das Licht Bwv 316 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Gott, Der Du Selber Bist Das Licht Bwv 316's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Gott, Der Du Selber Bist Das Licht Bwv 316 by Nicol Matt, Martina Rotbauer, Jörg Halobek, Robert Sagasser, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Ute Petersilge, Johann Sebastian Bach, Nordic Chamber Choir is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Koralpartita nr. 1, Op. 7: I. Langsomt koraltempo | Egil Hovland, Anders Eidsten Dahl | D Major | 3 | 10B | 92 BPM | ||
Sinfonia | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | D♭ Major | 2 | 3B | 120 BPM | ||
Organ Concerto No. 2: I. Largo maestoso | Södersten, Gunno, Hans Fagius, Stockholm Immanuelskyrkans Chamber Orchestra, Peter Eriksson | C Minor | 1 | 5A | 89 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Benedictus | Nicol Matt, Reinhard Geller, Chrisof Fischesser, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Barbara Werner, Petra Labitzke, Wolfgang Amadeus Mozart, Daniel Sans, Jens Wollenschläger | G Major | 1 | 9B | 113 BPM | ||
Sonata a cinque in D Major, (G. 5): II. Allegro e Staccato | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | A Major | 2 | 11B | 131 BPM | ||
Magnificat, RV 610: 1. Magnificat anima mea Dominum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 3 | 3B | 114 BPM | ||
Partita Hos Gud er idel glede, Op. 44: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM |
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