"Organ Concerto No. 2: I. Largo maestoso" by Södersten, Gunno, Hans Fagius, Stockholm Immanuelskyrkans Chamber Orchestra, Peter Eriksson was released on November 23, 2011. With Organ Concerto No. 2: I. Largo maestoso being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Södersten, Gunno, St. Jacob's Chamber Choir's "G. Södersten - Kärlekens lov" album is number 18 out of 21. On top of that, Sweden appears to be the country where this track was created. Organ Concerto No. 2: I. Largo maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Organ Concerto No. 2: I. Largo maestoso by Södersten, Gunno, Hans Fagius, Stockholm Immanuelskyrkans Chamber Orchestra, Peter Eriksson to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces de fantaisie, Op. 54 (Suite No. 3): Impromptu, Op. 54, No. 2 | Louis Vierne, Hans Fagius | G Minor | 0 | 6A | 67 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Prelude and Fugue in D minor, BWV 554 | Edward Harte | F♯ Minor | 2 | 11A | 65 BPM | ||
Prelude | Maurice Duruflé, Hans Fagius | G Major | 2 | 9B | 76 BPM | ||
Romanze appassionata | Carl Maria von Weber, Christer Torge, Hans Fagius | F Major | 3 | 7B | 123 BPM | ||
Dance of Joy | Colijn Buis | B♭ Minor | 2 | 3A | 64 BPM | ||
Gavotte in F Major | Giovanni Battista Martini, Janos Sebestyen | F Major | 0 | 7B | 114 BPM | ||
Messiah, HWV 56: Part I: Symphony Pastoral: Pifa | George Frideric Handel, Maria Jette, Patrice Djerejian, William Hite, Jeffrey Strauss, David Bachmann, Eric Budzynski, Apollo Chorus of Chicago, Studio Orchestra, Stephen Alltop | C Major | 0 | 8B | 75 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM |
Section: 0.9770498275756836
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