"Stabat Mater pour dix voix et basse continue: III. Quis non posset" by Domenico Scarlatti, Vox Luminis, Lionel Meunier was released on September 29, 2008. The duration of Stabat Mater pour dix voix et basse continue: III. Quis non posset is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Stabat Mater pour dix voix et basse continue: III. Quis non posset's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Scarlatti: Stabat Mater". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Belgium. Stabat Mater pour dix voix et basse continue: III. Quis non posset is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater pour dix voix et basse continue: III. Quis non posset by Domenico Scarlatti, Vox Luminis, Lionel Meunier having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 9 | Domenico Scarlatti, Scott Ross | E Major | 4 | 12B | 120 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VIII. Choral "Amen, komm du schöne Freudenkrone" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
The Indian Queen: I attempt from love's sickness | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 72 BPM | ||
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: VI. Chorale "Nun lieget alles unter dir" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | D♭ Major | 1 | 3B | 66 BPM | ||
Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM |
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