"The Firebird: Berceuse (Arr. For theremin and piano)" by Igor Stravinsky, Clara Rockmore, Nadia Reisenberg was released on January 1, 1987. The duration of The Firebird: Berceuse (Arr. For theremin and piano) is about 3 minutes long, at 3:10. Based on our data, "The Firebird: Berceuse (Arr. For theremin and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Rachmaninov, S.: Vocalise / Saint-Saens, C.: Le Cygne / Falla, M.: El Amor Brujo / Achron, J.: Hebrew Melody (The Art of the Theremin)". In this album, this song's track order is #7. In terms of popularity, The Firebird: Berceuse (Arr. For theremin and piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird: Berceuse (Arr. For theremin and piano) by Igor Stravinsky, Clara Rockmore, Nadia Reisenberg having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walkure: Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | C Major | 5 | 8B | 172 BPM | ||
Initial Treat | Michael Nyman, Michael Nyman Band | C Major | 5 | 8B | 118 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Coda | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | G Major | 2 | 9B | 92 BPM | ||
Ode, Elegiac Chant in 3 parts: II. Eclogue | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
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