Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek made "Concerto Grosso No. 3 in F Major: V. Allegro" available on February 23, 1994. The duration of Concerto Grosso No. 3 in F Major: V. Allegro is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Concerto Grosso No. 3 in F Major: V. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Capella Istropolitana, Jaroslav Krcek's "Italian Concerti Grossi" album is number 32 out of 32. Based on our statistics, Concerto Grosso No. 3 in F Major: V. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto Grosso No. 3 in F Major: V. Allegro by Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Concerto in G Minor: II. Largo | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 1 | 6B | 137 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
Symphony No. 82 in C Major, Hob.I:82, "L'ours" (The Bear): IV. Finale: Vivace | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | C Major | 2 | 8B | 72 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 1 | 6A | 61 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | B Minor | 3 | 10A | 127 BPM |
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