Charles Wuorinen, New Jersey Percussion Ensemble, Peter Jarvis's 'Percussion Quartet: II. quarter note = 108 (leggiero)' came out on June 26, 2007. Since Percussion Quartet: II. quarter note = 108 (leggiero) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wuorinen: Tashi / Percussion Quartet / Fortune by Charles Wuorinen. The song's track number on the album is #7 out of 9 tracks. The popularity of Percussion Quartet: II. quarter note = 108 (leggiero) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Percussion Quartet: II. quarter note = 108 (leggiero) by Charles Wuorinen, New Jersey Percussion Ensemble, Peter Jarvis has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Percussion Quartet: II. quarter note = 108 (leggiero) being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 69 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
It Happens like This: No. 1, It Happens like This | Charles Wuorinen, Sharon Harms, Laura Mercado-Wright, Steven Brennfleck, Douglas Williams, The Group for Contemporary Music | D♭ Minor | 2 | 12A | 67 BPM | ||
The Great Procession (chamber version): VII. The Unveiling | Charles Wuorinen, Rachel Rudich, Alan R. Kay, Curtis Macomber, Fred Sherry, Phillip Bush, Tom Kolor, Benjamin Ramirez, Oliver Knussen | A♭ Minor | 1 | 1A | 108 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Shostakovich Quartet | G Major | 0 | 9B | 106 BPM | ||
Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM |
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