Édouard Lalo, Vadim Repin, Kent Nagano, London Symphony Orchestra's 'Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo' had a release date set for August 22, 2006. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #105. Furthermore, we believe that the track originated from France. In terms of popularity, Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo by Édouard Lalo, Vadim Repin, Kent Nagano, London Symphony Orchestra having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Concerto for Violin and Orchestra No. 4, Op. 29 “Concerto russe”: II. Lento (Chants russes) | Édouard Lalo, Dmitry Smirnov, Heinz Holliger, Kammerorchester Basel | C Major | 2 | 8B | 172 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM |