Davitt Moroney made "Suite in C major (Paris, 1702-3): Allemande" available on January 1, 2007. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Davitt Moroney's "Le Clavecin Français: Louis Marchand & Louis-Nicolas Clérambault" album is number 23 out of 36. Based on our statistics, Suite in C major (Paris, 1702-3): Allemande's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite in C major (Paris, 1702-3): Allemande by Davitt Moroney to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Minor | 1 | 9A | 92 BPM | ||
Pieces de clavecin: Suite in A Minor - major: III. Allemande II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Courante Simble in A Minor, BuxWV 245 | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
Feet in the Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
Pièces de clavecin avec voix ou violon, Op. 5: I. Regna terrae, Cantate Deo (Ps. 67, v. 35 et 26) | Jean-Joseph Cassanéa De Mondonville, Shannon Mercer, Luc Beauséjour, Hélène Plouffe | A♭ Major | 1 | 4B | 96 BPM |
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