"Harp Concerto in E Flat Major, Op.98: III. Allegro" by Elias Parish Alvars, Marielle Nordmann/Orchestre Philharmonique de Strasbourg/Theodor Guschlbauer, Theodor Guschlbauer, Theodore Guschlbauer, Orchestre Philharmonique De Strasbourg was released on August 15, 2003. Harp Concerto in E Flat Major, Op.98: III. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Marielle Nordmann/François-René Duchâble/Orchestre Philharmonique de Strasbourg/Orchestre d'Auvergne/Jean-Jacques Kantorow, Jean-Jacques Kantorow, Orchestre Philharmonique De Strasbourg, Orchestre d'Auvergne's "Harp Concertos" album is number 3 out of 22. In terms of popularity, Harp Concerto in E Flat Major, Op.98: III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harp Concerto in E Flat Major, Op.98: III. Allegro by Elias Parish Alvars, Marielle Nordmann/Orchestre Philharmonique de Strasbourg/Theodor Guschlbauer, Theodor Guschlbauer, Theodore Guschlbauer, Orchestre Philharmonique De Strasbourg to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'éternel rêveur | Marcel Tournier, Isabelle Moretti | E♭ Minor | 0 | 2A | 115 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Harp Concerto in G Minor, Op. 81: II. Romanza - Andante | Elias Parish Alvars, Elizabeth Hainen | E♭ Major | 0 | 5B | 83 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Classical Suite: I. Prelude | Lynn Palmer, Judy Loman | A Minor | 1 | 8A | 71 BPM | ||
Clarinet Concerto in A Major, K. 622: Clarinet Concerto in A Major, K. 622/II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | D Major | 0 | 10B | 78 BPM | ||
The Street (harp solo): Station IV. Jesus meets his Mother | Nico Muhly, Alice Goodman, Parker Ramsay | C Major | 0 | 8B | 87 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
Le goût du jour, Op. 169 (Arr. for 2 Pianos): II. Air de ballet | Elias Parish Alvars, Simon Callaghan, Clíodna Shanahan | B♭ Major | 1 | 6B | 103 BPM |
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