"Classical Suite: I. Prelude" by Lynn Palmer, Judy Loman was released on July 21, 2002. The duration of Classical Suite: I. Prelude is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Classical Suite: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marcel Grandjany, Alphonse Hasselmans, John Parry, Marcel Tournier, Henriette Renié, Sophia Dussek, Carlos Salzedo, Elias Parish Alvars, Lynn Palmer, John Thomas's "Harp Showpieces" album is number 15 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Classical Suite: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Classical Suite: I. Prelude by Lynn Palmer, Judy Loman to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Harp In G Major Wq 139, H 563 - Allegro | C.P.E. Bach, Judy Loman | G Major | 2 | 9B | 89 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Goldfish through summer rain | Anne Boyd, Move Records, Derek Jones, Leigh Harrold | D♭ Minor | 1 | 12A | 68 BPM | ||
Liebestraume No. 3 | Ieuan Jones | A♭ Major | 0 | 4B | 71 BPM | ||
Valsa Lenta, Op. posth. | Henrique Oswald, Sergio Monteiro | D♭ Major | 0 | 3B | 79 BPM | ||
Canticle Of Quiet Rain | Takashi Yoshimatsu | D Major | 0 | 10B | 142 BPM | ||
Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Country Impressions (arr. K. Smith for flute and piano): I. Mulberry Cottage | William Lloyd Webber, Kenneth Smith, Paul Rhodes | G Minor | 1 | 6A | 67 BPM | ||
Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | B♭ Major | 0 | 6B | 84 BPM | ||
Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM |
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