Peter Schmalfuss made "Kinderszenen op. 15 - Bittendes Kind" available on January 18, 1999. With Kinderszenen op. 15 - Bittendes Kind being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Robert Schumann - Klavierkonzert". In this album, this song's track order is #7. Kinderszenen op. 15 - Bittendes Kind is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Kinderszenen op. 15 - Bittendes Kind by Peter Schmalfuss having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Prelude #15 In D Flat, Op. 28/15, "Raindrop" | London Festival Orchestra | A♭ Major | 0 | 4B | 81 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Thais, Meditación | Nueva Vida | D Major | 1 | 10B | 89 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | D♭ Minor | 1 | 12A | 86 BPM | ||
Ballet Suite No. 1 (Ed. Lev Atovmyan): I. Lyric Waltz (Suite for Jazz Orchestra No. 1) | Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra | C Minor | 2 | 5A | 179 BPM | ||
Dvorák: 8 Humoresques, Op. 101, B. 187: No. 7 in G-Flat Major | Antonín Dvořák, Moura Lympany | B Major | 0 | 1B | 70 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM | ||
Rachmaninov: Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Zoltán Kocsis | G Major | 0 | 9B | 94 BPM | ||
Barcarolle | Sylvia Capova | D♭ Major | 0 | 3B | 67 BPM |
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