Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra's 'Ballet Suite No. 1 (Ed. Lev Atovmyan): I. Lyric Waltz (Suite for Jazz Orchestra No. 1)' came out on January 1, 2009. The duration of Ballet Suite No. 1 (Ed. Lev Atovmyan): I. Lyric Waltz (Suite for Jazz Orchestra No. 1) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Ballet Suite No. 1 (Ed. Lev Atovmyan): I. Lyric Waltz (Suite for Jazz Orchestra No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Shostakovich: Ballet Suite No. 1 & No. 2 Chamber Symphony in C Major". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Ballet Suite No. 1 (Ed. Lev Atovmyan): I. Lyric Waltz (Suite for Jazz Orchestra No. 1) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballet Suite No. 1 (Ed. Lev Atovmyan): I. Lyric Waltz (Suite for Jazz Orchestra No. 1) by Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, André Cluytens, French National Radio Orchestra | C Minor | 0 | 5A | 177 BPM | ||
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
3 Old Viennese Dances: 2. Liebesleid | Fritz Kreisler, Shlomo Mintz, Clifford Benson | A Major | 0 | 11B | 105 BPM | ||
Chopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66 | London Festival Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM |
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