Wiener Streichsextett, Pyotr Ilyich Tchaikovsky's 'Souvenir De Florence, Op. 70: I. Allegro Con Spirito' came out on January 1, 2004. Souvenir De Florence, Op. 70: I. Allegro Con Spirito appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Pyotr Ilyich Tchaikovsky: Souvenir De Florence / Nikolay Andreyevich Rimsky-Korsakov: String Sextet In A Major". In this album, this song's track order is #1. Souvenir De Florence, Op. 70: I. Allegro Con Spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Souvenir De Florence, Op. 70: I. Allegro Con Spirito by Wiener Streichsextett, Pyotr Ilyich Tchaikovsky having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 99 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Adagio, Theme and Variations in F for Oboe and Orchestra, Op. 102: III. Variation 1 | Johann Nepomuk Hummel, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra | F Major | 0 | 7B | 74 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
Mozart: Horn Quintet in E-Flat Major, K. 407: II. Andante | Wolfgang Amadeus Mozart, Wiener Streichsextett, Bruno Schneider | B Minor | 10 | 10A | 60 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: IV. Menuet I | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 113 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM |
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