Silvius Leopold Weiss, Michel Cardin made "Sonata No. 4 in G Major, WeissSW 5: IV. Bourée" available on January 1, 2015. The duration of Sonata No. 4 in G Major, WeissSW 5: IV. Bourée is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Sonata No. 4 in G Major, WeissSW 5: IV. Bourée's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #24 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 4 in G Major, WeissSW 5: IV. Bourée is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 4 in G Major, WeissSW 5: IV. Bourée by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 4 in G Major, WeissSW 5: IV. Bourée being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata in C Major, WeissSW 37: IV. Bourrée | Silvius Leopold Weiss, Mauricio Buraglia | B Major | 1 | 1B | 92 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Variazioni su un tema di Handel, Op. 107 | Mauro Giuliani, Roland Dyens | B♭ Minor | 6 | 3A | 127 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
De Caix d’Hervelois: Plainte | Louis de Caix d'Hervelois, Christina Pluhar, L'Arpeggiata, Rodney Prada | A Minor | 2 | 8A | 60 BPM | ||
Sonata No. 2 in D Major, WeissSW 2: VII. Giga | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Fantasia que contrahaze la harpa en la manera de Ludovico | Alonso Mudarra, José Miguel Moreno | E Major | 1 | 12B | 166 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM |
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