On January 1, 2004, the song "Fantasia que contrahaze la harpa en la manera de Ludovico" was released by Alonso Mudarra, José Miguel Moreno. The duration of Fantasia que contrahaze la harpa en la manera de Ludovico is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Fantasia que contrahaze la harpa en la manera de Ludovico's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in José Miguel Moreno's "Guitar Recital: Moreno, Jose Miguel - Narvaez, L. / Lopez / Milan, L. / Mudarra, A. / Murcia, S. / Guerau, F. / Sanz, G. / Sor, F." album is number 8 out of 19. On top of that, Spain appears to be the country where this track was created. The popularity of Fantasia que contrahaze la harpa en la manera de Ludovico is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Fantasia que contrahaze la harpa en la manera de Ludovico by Alonso Mudarra, José Miguel Moreno to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 10 in B Minor for 4 Violins and Cello, RV 580: II. Largo - Larghetto | Antonio Vivaldi, Angel Romero, Pepe Romero, Celedonio Romero, Celin Romero, Academy of St. Martin in the Fields, Iona Brown | G Minor | 2 | 6A | 80 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Neue lauten stucke: Pieces in C Major: II. Allemande | Johann Gottfried Conradi, José Miguel Moreno | B♭ Major | 1 | 6B | 100 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM |
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