"In The Bleak Midwinter" by Gustav Holst, St. Paul's Cathedral Choir, Andrew Carwood was released on October 9, 2015. With this song being about 5 minutes long, at 4:46, "In The Bleak Midwinter" by Gustav Holst, St. Paul's Cathedral Choir, Andrew Carwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 19 in Carols With St. Paul's Cathedral Choir by St. Paul's Cathedral Choir, Andrew Carwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In The Bleak Midwinter is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In The Bleak Midwinter by Gustav Holst, St. Paul's Cathedral Choir, Andrew Carwood is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
The Rite of Spring, Part 1: I. Adoration of the Earth | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 79 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Japanese Suite, Op. 33: IV. Interlude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | D Major | 0 | 10B | 85 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | A Minor | 0 | 8A | 83 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM |
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