Gaetano Donizetti, Nouvel Orchestre Philharmonique, Armando Gatto, Montserrat Caballé, Juan Pons, Luis Lima, Vicente Sardinero's 'Gemma di Vergy, A 44, IGD 37, Act I: "Di ch'io vada in Palestrina" (Gemma, Guido, Tamas, Conte, Coro)' came out on June 1, 1995. The duration of Gemma di Vergy, A 44, IGD 37, Act I: "Di ch'io vada in Palestrina" (Gemma, Guido, Tamas, Conte, Coro) is about 3 minutes long, at 3:25. Based on our data, "Gemma di Vergy, A 44, IGD 37, Act I: "Di ch'io vada in Palestrina" (Gemma, Guido, Tamas, Conte, Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 34 in Donizetti: Gemma Di Vergy by Gaetano Donizetti, Armando Gatto, Nouvel Orchestre Philharmonique. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of Gemma di Vergy, A 44, IGD 37, Act I: "Di ch'io vada in Palestrina" (Gemma, Guido, Tamas, Conte, Coro) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gemma di Vergy, A 44, IGD 37, Act I: "Di ch'io vada in Palestrina" (Gemma, Guido, Tamas, Conte, Coro) by Gaetano Donizetti, Nouvel Orchestre Philharmonique, Armando Gatto, Montserrat Caballé, Juan Pons, Luis Lima, Vicente Sardinero is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Così fan tutte / Act 1: "Soave sia il vento" - "Non son cattivo" - "Che vita maledetta" - "Madame, ecco la vostra colazione" | Wolfgang Amadeus Mozart, Montserrat Caballé, Dame Janet Baker, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 1 | 12B | 85 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | B♭ Major | 2 | 6B | 75 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | ||
Così fan tutte, K. 588 / Act I: "E la fede delle femminine" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 111 BPM |
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