"Cantos de España, Op. 232: 2. Asturias - Leyenda" by Isaac Albéniz, Simon Ghraichy was released on January 27, 2017. Cantos de España, Op. 232: 2. Asturias - Leyenda is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. Because this song is the only song in Albéniz: 2. Asturias – Leyenda (Cantos de España, Op. 232) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Cantos de España, Op. 232: 2. Asturias - Leyenda's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantos de España, Op. 232: 2. Asturias - Leyenda by Isaac Albéniz, Simon Ghraichy is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
Adagio in G Minor (Formerly Albinoni’s Adagio) [Version for Solo Violin, Organ and String Orchestra] | Remo Giazotto, Daniel Hope, Katta, Zürcher Kammerorchester | C Minor | 1 | 5A | 168 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen - Arr. for Piano | Dimitri Naïditch | G Minor | 0 | 6A | 124 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 120 BPM | ||
Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
Romance (Arr. J. Williams for Guitar & Orchestra) | Traditional, William Goodchild, John Williams | E Major | 0 | 12B | 76 BPM | ||
Cours pour niveau moyen: Barren, Retirés, Air populaire russe | Public Domain, Samuelina Tahija, Philippe Reverdy | D Minor | 2 | 7A | 142 BPM | ||
Asturias | Isaac Albéniz, Sharon Isbin | E Minor | 2 | 9A | 113 BPM | ||
7 danzas cubanas tipicas: 6. La 32 | Ernesto Lecuona, Simon Ghraichy | F♯ Major | 2 | 2B | 118 BPM | ||
Poulenc & Satie: 2 Préludes posthumes et une Gnossienne, FP 104: No. 3, Troisième gnossienne | Erik Satie, Francis Poulenc, Michel Plasson, Orchestre Du Capitole De Toulouse | B♭ Major | 4 | 6B | 157 BPM |
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