On 1988, the song "Poulenc & Satie: 2 Préludes posthumes et une Gnossienne, FP 104: No. 3, Troisième gnossienne" was released by Erik Satie, Francis Poulenc, Michel Plasson, Orchestre Du Capitole De Toulouse. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Poulenc & Satie: 2 Préludes posthumes et une Gnossienne, FP 104: No. 3, Troisième gnossienne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Satie: Orchestral Works". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Based on our statistics, Poulenc & Satie: 2 Préludes posthumes et une Gnossienne, FP 104: No. 3, Troisième gnossienne's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Poulenc & Satie: 2 Préludes posthumes et une Gnossienne, FP 104: No. 3, Troisième gnossienne by Erik Satie, Francis Poulenc, Michel Plasson, Orchestre Du Capitole De Toulouse having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D♭ Minor | 2 | 12A | 117 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
II. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 68 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
10 Préludes, Op. 23: V. Alla marcia in G Minor | Sergei Rachmaninoff, Guillaume Vincent | D Minor | 1 | 7A | 86 BPM | ||
Pavane pour une infante défunte, M.19: Lent | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 131 BPM | ||
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. P. Breiner for Orchestra) | George Frideric Handel, Kiev Virtuosi Chamber Orchestra, Dmitry Yablonsky | B Minor | 0 | 10A | 128 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Adagio Per Archi E Organo In Sol Minore | London Philharmonic Orchestra | C Minor | 4 | 5A | 89 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Samson François | D♭ Major | 0 | 3B | 134 BPM |