- BPM
- 96
- Key
- C Major
- Camelot
- 8B
Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II - Georg Philipp Telemann, Jean-Pierre Rampal, Jerusalem Music Centre Chamber Orchestra Information
- Acousticness
- 98%
- Danceability
- 42%
- Energy
- 15%
- Instrumentalness
- 94%
- Liveness
- 11%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 34%
- Popularity
- 5%
- Loudness
- -19.947 dB
Summary
Georg Philipp Telemann, Jean-Pierre Rampal, Jerusalem Music Centre Chamber Orchestra's 'Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II' came out on 1978. The duration of Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 28 in Bach/Mozart/Telemann/Vivaldi: The Great Flute Concertos by Jean-Pierre Rampal. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II BPM
The tempo marking of Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II by Georg Philipp Telemann, Jean-Pierre Rampal, Jerusalem Music Centre Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ouverture-Suite, TWV 55:a2: II. Les Plaisirs I & II Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | |
 | Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | |
 | Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | |
 | Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | |
 | Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | |
 | Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | |
 | Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM | |
 | Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | |
 | Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | |
 | Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM |
- ISRC
- USSM10311427
- Label
- L-M Records/RCA Records
Section: 0.6736922264099121
End: 0.6771786212921143