- BPM
- 83
- Key
- G Minor
- Camelot
- 6A
Concerto grosso in D minor, Op. 3, No. 5: 3. Adagio - George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 19%
- Instrumentalness
- 15%
- Liveness
- 15%
- Loudness
- 72%
- Speechiness
- 3%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -16.826 dB
Summary
"Concerto grosso in D minor, Op. 3, No. 5: 3. Adagio" by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable had its release date on May 22, 2024. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto grosso in D minor, Op. 3, No. 5: 3. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Concerto grosso in D minor, Op. 3, No. 5: 3. Adagio BPM
The tempo marking of Concerto grosso in D minor, Op. 3, No. 5: 3. Adagio by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Concerto grosso in D minor, Op. 3, No. 5: 3. Adagio Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | |
 | Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM | |
 | Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: III. Vivace | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | B♭ Major | 2 | 6B | 145 BPM | |
 | Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | |
 | Symphony in E Minor, H. 652, Wq. 177: III. Allegro | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | |
 | Violin Concerto in D Major, Op. 3, No. 5: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 127 BPM | |
 | First Sonata, in D Major: I. Sicilienne | Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour | C Major | 1 | 8B | 122 BPM | |
 | Venus & Adonis, Act I: The Act Tune | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 77 BPM | |
 | The Gordian Knot Untied: Minuet | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Major | 1 | 10B | 114 BPM | |
 | Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM |
- ISRC
- NLA507100303
- Label
- L-M Records/RCA Records