- BPM
- 123
- Key
- C Minor
- Camelot
- 5A
Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann" - Richard Wagner, Régine Crespin, Gottlob Frick, James King, Wiener Philharmoniker, Sir Georg Solti Information
- Acousticness
- 96%
- Danceability
- 38%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 54%
- Speechiness
- 6%
- Valence
- 10%
- Popularity
- 5%
- Loudness
- -27.74 dB
Summary
"Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann"" by Richard Wagner, Régine Crespin, Gottlob Frick, James King, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being about 5 minutes long, at 5:06, "Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann"" by Richard Wagner, Régine Crespin, Gottlob Frick, James King, Wiener Philharmoniker, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #4. Based on our statistics, Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann" BPM
With Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann" by Richard Wagner, Régine Crespin, Gottlob Frick, James King, Wiener Philharmoniker, Sir Georg Solti having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Die Walküre / Erster Aufzug: "Müd am Herd fand ich den Mann" Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass No. 1 in D Minor, WAB 26: Credo | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, Eike Wilm Schulte, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | |
 | Tosca / Act 2: "Tosca è un buon falco!" | Giacomo Puccini, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 96 BPM | |
 | Rigoletto / Act I: Quel vecchio maledivami! | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | F Major | 1 | 7B | 106 BPM | |
 | Die Walküre, WWV 86B / Act II: "Ein andres ist's: achte es wohl" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 78 BPM | |
| Tosca / Act 2: "O galantuomo, come andò la caccia?" | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Giuseppe Di Stefano, Leontyne Price, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 90 BPM | |
| Die Walküre, WWV 86B / Act III: "Hier bin ich, Vater: gebiete die Strafe!" | Richard Wagner, Régine Crespin, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 3 | 3B | 98 BPM | |
 | Madama Butterfly / Act 2: Vespa! Rospo maledetto! | Giacomo Puccini, Christa Ludwig, Michel Sénéchal, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 81 BPM | |
 | Die Walküre / Zweiter Aufzug: "Schlimm, fürcht ich, schloß der Streit" | Richard Wagner, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 81 BPM | |
 | Carmina Burana / III. Cour d'amours: "Amor volat undique" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben | G Major | 0 | 9B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7057185173034668
End: 0.7096049785614014