Ahmet Adnan Saygun, Zeynep Ucbasaran's ' "12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 1" was released on its scheduled release date, April 29, 2008. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 35 in the song's album "Saygun: 12 Preludes On Aksak Rhythms / 10 Sketches On Aksak Rhythms / Piano Sonatina". In this album, this song's track order is #4. Based on our statistics, 12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 1's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 1 by Ahmet Adnan Saygun, Zeynep Ucbasaran having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yunus Emre, Op. 26, Pt. 2: No. 8, Gel gönül seninle (Live) | Ahmet Adnan Saygun, Birgül Su Aric, Osnabrueck Symphony Orchestra, Osnabrueck Youth Choir, Naci Özgüç | A Minor | 0 | 8A | 79 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sefika Kutluer, Craig Ogden | F♯ Minor | 1 | 11A | 70 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
FIVE PIECES: I PRELUDE | Dmitri Shostakovich, Veit Hertenstein, Peijun Xu, Ah Ruem Ahn | E Minor | 1 | 9A | 104 BPM | ||
Cello Concerto in C Minor, Op. 43: II. Moderato | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | D Minor | 1 | 7A | 137 BPM | ||
7 Folk Songs: No. 2. Camdan sakiz akiyor | Ulvi Cemal Erkin, Mustafa Iktu, Budapest Symphony Orchestra, Hikmet Şimşek | E♭ Major | 1 | 5B | 82 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM |