Henryk Górecki, Colin Stetson's 'SORROW: III (Extract I) - a reimagination of Gorecki's 3rd Symphony' came out on April 8, 2016. With this song being about 5 minutes long, at 4:58, "SORROW: III (Extract I) - a reimagination of Gorecki's 3rd Symphony" by Henryk Górecki, Colin Stetson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "SORROW - a reimagining of Gorecki's 3rd Symphony (Extracts)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, SORROW: III (Extract I) - a reimagination of Gorecki's 3rd Symphony is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SORROW: III (Extract I) - a reimagination of Gorecki's 3rd Symphony by Henryk Górecki, Colin Stetson having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
O salutaris hostia | Jan Garbarek, Pierre de la Rue, The Hilliard Ensemble | C Major | 1 | 8B | 89 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Le Badinage - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall | F Minor | 0 | 4A | 96 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
All-night Vigil, Op. 37, "Vespers": Song of Simeon: Lord, now let your servant depart | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 85 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Qui habitat à 24 | Josquin des Prez, Huelgas Ensemble, Paul Van Nevel | F Major | 3 | 7B | 106 BPM | ||
Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 137 BPM |
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