"Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen" by Richard Strauss, Christa Ludwig, Gerald Moore was released on March 9, 2018. The duration of Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen is about 3 minutes long, at 3:10. Based on our data, "Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 164 in the song's album "The Complete Recitals on Warner Classics". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. The popularity of Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen by Richard Strauss, Christa Ludwig, Gerald Moore having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" | Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 0 | 9B | 82 BPM | ||
Joyeuse marche: Marche joyeuse | Emmanuel Chabrier, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 3 | 8B | 121 BPM | ||
Piano Concerto No.1 in F sharp minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | D Major | 0 | 10B | 85 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM |
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