Jean Sibelius, Glenn Gould made "Three Sonatines for Piano, Op. 67: Sonatina No.1 in F-Sharp Minor: III. Allegro moderato - Remastered" available on 1977. With Three Sonatines for Piano, Op. 67: Sonatina No.1 in F-Sharp Minor: III. Allegro moderato - Remastered being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Sibelius: Three Sonatines, Op. 67 & Three Lyric Pieces, Op. 41 (Gould Remastered)". In this album, this song's track order is #3. In terms of popularity, Three Sonatines for Piano, Op. 67: Sonatina No.1 in F-Sharp Minor: III. Allegro moderato - Remastered is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Three Sonatines for Piano, Op. 67: Sonatina No.1 in F-Sharp Minor: III. Allegro moderato - Remastered by Jean Sibelius, Glenn Gould having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Italian Concerto in F Major, BWV 971: II. Andante | Glenn Gould | D Minor | 1 | 7A | 133 BPM | ||
10 Pieces for Piano, Op. 24: Barcarola, No. 10 | Jean Sibelius, Leif Ove Andsnes | C Minor | 0 | 5A | 76 BPM | ||
Impromptu "Nocturne", S. 191 | Franz Liszt, Vladimir Horowitz | D♭ Minor | 2 | 12A | 70 BPM | ||
Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM | ||
Piano Trio in A minor, M. 67: 1. Modéré | Maurice Ravel, Beaux Arts Trio | B♭ Major | 0 | 6B | 71 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Nocturne No. 21 in C Minor, Op. Posth. | Frédéric Chopin, Maria João Pires | C Minor | 0 | 5A | 79 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: I. Allegro maestoso | Wolfgang Amadeus Mozart, Glenn Gould | A Minor | 2 | 8A | 169 BPM | ||
Janacek: In the Mists, JW 8/22: I. Andante | Leoš Janáček, Leif Ove Andsnes | D♭ Minor | 0 | 12A | 137 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM |
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