"Piano Trio in A minor, M. 67: 1. Modéré" by Maurice Ravel, Beaux Arts Trio was released on January 1, 2006. Piano Trio in A minor, M. 67: 1. Modéré appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Ravel: Piano Trio; Introduction & Allegro; String Quartet". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Piano Trio in A minor, M. 67: 1. Modéré is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio in A minor, M. 67: 1. Modéré by Maurice Ravel, Beaux Arts Trio having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
2 Etudes de Concert, S. 145: No. 2 Gnomenreigen | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) | Maurice Ravel, Arcadi Volodos | C Major | 0 | 8B | 76 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Piano Trio in B flat, K.502: 1. Allegro | Wolfgang Amadeus Mozart, Beaux Arts Trio | F Major | 1 | 7B | 143 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM |
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