"Nocturne No. 21 in C Minor, Op. Posth." by Frédéric Chopin, Maria João Pires was released on January 1, 1996. The duration of Nocturne No. 21 in C Minor, Op. Posth. is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Nocturne No. 21 in C Minor, Op. Posth.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 21 in Chopin: The Nocturnes by Frédéric Chopin, Maria João Pires. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturne No. 21 in C Minor, Op. Posth. is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 21 in C Minor, Op. Posth. by Frédéric Chopin, Maria João Pires is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Goodbye, Mr. Rachmaninov - World Premiere Recording | Cyprien Katsaris | C Minor | 1 | 5A | 72 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
Partita No. 1 in B Flat Major, BWV 825: VI. Menuet I da capo | Johann Sebastian Bach, Maria João Pires | B♭ Major | 1 | 6B | 114 BPM | ||
Valsa Da Dor | Heitor Villa-Lobos, Khatia Buniatishvili | E Minor | 0 | 9A | 76 BPM |
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