Franz Joseph Haydn, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner made "Cello Concerto In C Major, Hob.VIIb:1: 3. Finale" available on January 1, 2005. Since Cello Concerto In C Major, Hob.VIIb:1: 3. Finale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 77 in the song's album "Pierre Fournier - Aristocrat of the Cello". In this album, this song's track order is #3. Based on our statistics, Cello Concerto In C Major, Hob.VIIb:1: 3. Finale's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Cello Concerto In C Major, Hob.VIIb:1: 3. Finale by Franz Joseph Haydn, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | C Minor | 1 | 5A | 116 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: I. Amoroso | Luigi Boccherini, György Éder, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Bassoon Concerto in F, Op.75: 2. Adagio | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | B♭ Major | 0 | 6B | 74 BPM | ||
Nonet in E-Flat Major, Op. 38: II. Andante con moto | Louise Farrenc, Consortium Classicum | B♭ Major | 0 | 6B | 121 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM |
Section: 0.616157054901123
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