- BPM
- 137
- Key
- F♯ Major
- Camelot
- 2B
Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen" - Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 18%
- Instrumentalness
- 96%
- Liveness
- 15%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 16%
- Popularity
- 5%
- Loudness
- -13.744 dB
Summary
"Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen"" by Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier was released on April 12, 2024. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 22 in Bach & Telemann: Himmelfahrt by Freiburger Barockorchester, Vox Luminis, Lionel Meunier. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen" BPM
The tempo marking of Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen" by Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen" Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS: Auf Christi Himmelfahrt allein, BWV 128: No. 5, Choral. "Alsdann so wirst du mich" | Johann Sebastian Bach, Gustav Leonhardt, Leonhardt-Consort, Collegium Vocale Gent, Knabenchor Hannover | F♯ Major | 1 | 2B | 71 BPM | |
 | Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 1 | 3A | 35 BPM | |
 | Die Furcht des Herren | Johann Christoph Bach, Vox Luminis, Lionel Meunier, Kristen Witmer | E Major | 1 | 12B | 77 BPM | |
 | III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | |
 | St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 2 | 5B | 68 BPM | |
 | I. Gott Ist Mein König BWV 71, 5. Aria (Alto): Durch Mächtige Kraft | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Ofer Frenke, Will Wroth, Knut Schoch, Katherin Steddon, Maarten Van Weverswijk, Ruth Holton, Bas Ramselaar, Frank Aarnink, Sytse Buwalda, Johann Sebastian Bach, Anneke Boeke, Pieter Jan Leusink | D♭ Major | 2 | 3B | 86 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | II. Erfreute Zeit Im Neuen Bunde BWV 83, (3) Aria (Tenore): Eile, Herz, Voll Freudigkeit | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Marjon Strijk, Johann Sebastian Bach, John Wilson Meyer, Marcel Beekman, Pieter Jan Leusink | E Major | 1 | 12B | 132 BPM | |
 | I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | |
 | III. Ich Geh Und Suche Mit Verlangen BWV 49, (5) Recitativo (Soprano, Basso): Mein Glaube Hat Mich Selbst | Pieter Jan Leusink, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Peter Frankenberg, Holland Boys Choir; Netherlands Bach Collegium | A♭ Major | 0 | 4B | 84 BPM |
- ISRC
- FR50X2203209
- Label
- L-M Records/RCA Records
Section: 1.0481460094451904
End: 1.052642583847046