- BPM
- 68
- Key
- E♭ Major
- Camelot
- 5B
St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) - Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 16%
- Instrumentalness
- 69%
- Liveness
- 13%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 22%
- Popularity
- 14%
- Loudness
- -20.311 dB
Summary
Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus)' came out on March 1, 2011. With St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 40 in Bach: St John Passion by Johann Sebastian Bach, John Eliot Gardiner. St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) BPM
The tempo marking of St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
St. John Passion, BWV 245: Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus) Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | |
 | Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | |
 | The Fairy Queen, Z. 629 / Act 1: Scene Of The Drunken Poet: "Fill up the Bowl" | Henry Purcell, Judith Nelson, Elisabeth Priday, David Thomas, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | E Major | 1 | 12B | 112 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 1: No. 20. Ich will bei meinem Jesu wachen | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq | D Major | 1 | 10B | 86 BPM | |
 | Four Songs, Op. 17: Four Songs, Op. 17: II. Lied von Shakespeare | Johannes Brahms, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | E♭ Major | 1 | 5B | 72 BPM | |
 | II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | |
| The Fairy Queen, Z. 629 / Act 1: Air | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | |
 | Easter Oratorio, BWV 249: Recitative: Indessen seufzen wir (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 121 BPM | |
 | Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem a 7 - Live | Claudio Monteverdi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Minor | 7 | 11A | 82 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9345650672912598
End: 0.938713788986206