Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) - Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki Information

Acousticness: 96%
Danceability: 62%
Energy: 5%
Instrumentalness: 0%
Liveness: 23%
Loudness: 61%
Speechiness: 7%
Valence: 5%
Popularity: 4%
Loudness: -23.221 dB

Summary

"Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano)" by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki was released on February 1, 2006. Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) appears to be safe for all ages as it is not explicit. The song is number 5 out of 20 in Bach, J.S.: Easter Oratorio / Ascension Oratorio by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) BPM

The tempo marking of Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki is Grave (very slow), since this song has a tempo of 35 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano) Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Wir müssen durch viel Trübsal, BWV 146: Sinfonia	Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D Major	0	10B	102 BPM
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro]	Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment	E Major	4	12B	172 BPM
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	F Major	1	7B	164 BPM
Gavotte - Arr. for Cello and Piano	Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov	D Minor	0	7A	85 BPM
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro	Cologne Chamber Orchestra, Johann Sebastian Bach	B♭ Major	2	6B	90 BPM
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2	Frédéric Chopin, Gabriela Montero	D♭ Major	0	3B	107 BPM
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande	Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider	A Major	1	11B	98 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai	Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt	E Major	2	12B	107 BPM
3 Romances, Op. 11: 1. Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM

ISRC: SEAEP0561050
Label: L-M Records/RCA Records

Section: 0.6177749633789062

End: 0.6216754913330078