Mass in C, K.317 "Coronation": 1. Kyrie - Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine Information

Acousticness: 96%
Danceability: 13%
Energy: 9%
Instrumentalness: 6%
Liveness: 19%
Loudness: 68%
Speechiness: 5%
Valence: 6%
Popularity: 6%
Loudness: -19.19 dB

Summary

"Mass in C, K.317 "Coronation": 1. Kyrie" by Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine was released on January 1, 1992. The duration of Mass in C, K.317 "Coronation": 1. Kyrie is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Mass in C, K.317 "Coronation": 1. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Berliner Philharmoniker, James Levine's "Krönungsmesse KV317/Paukenmesse (Classical Choice)" album is number 1 out of 12. On top of that, Germany appears to be the country where this track was created. Mass in C, K.317 "Coronation": 1. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in C, K.317 "Coronation": 1. Kyrie BPM

We consider the tempo marking of Mass in C, K.317 "Coronation": 1. Kyrie by Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Mass in C, K.317 "Coronation": 1. Kyrie Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine (Ps. 110/111)	Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock	A♭ Major	3	4B	105 BPM
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero	Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi	F♯ Minor	1	11A	125 BPM
Pelléas et Mélisande, (Suite), Op. 46: III. At The Seashore	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	F♯ Minor	0	11A	66 BPM
Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen	Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist	A♭ Major	1	4B	66 BPM
Vesperae solennes de Dominica, K. 321: III. Beatus vir	Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire	B♭ Major	2	6B	103 BPM
Mass No. 2 in G Major, D. 167: V. Benedictus	Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper	F Major	2	7B	125 BPM
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso	Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado	D♭ Major	1	3B	66 BPM
Le Nozze di Figaro, K. 492: Atto quarto. Scena ultima. Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, la Contessa "Gente, gente"	Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Núria Rial, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens	D Major	2	10B	139 BPM
L'Arlésienne Suite No.1: Carillon	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	65 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM

ISRC: DEF059103252
Label: L-M Records/RCA Records

Section: 0.679093599319458

End: 0.6832718849182129