"The Little Island, Op. 14 No. 2" by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta was released on October 21, 2016. The duration of The Little Island, Op. 14 No. 2 is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. The Little Island, Op. 14 No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Earl Wild: The Complete Transcriptions & Original Piano Works, Vol. 2 by Sergei Rachmaninoff, Earl Wild, Giovanni Doria Miglietta. The Little Island, Op. 14 No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Little Island, Op. 14 No. 2 by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirées Musicales, Op. 6: II. Nocturne | Clara Schumann, Mara Dobresco | A Major | 1 | 11B | 172 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | D♭ Major | 1 | 3B | 63 BPM | ||
Nocturno | Manuel de Falla, Javier Perianes | F Minor | 0 | 4A | 129 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Maria João Pires | D♭ Major | 0 | 3B | 74 BPM | ||
Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | ||
Blumenfeld : Etude for the Left Hand in A flat major Op.36 | Felix Blumenfeld, James Rhodes | A♭ Major | 1 | 4B | 112 BPM | ||
Seven Virtuoso Etudes: VII. Fascinatin Rhythm | Earl Wild, Giovanni Doria Miglietta | G Major | 2 | 9B | 87 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM |
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