"Manon Lescaut: In quelle trine morbide (Recorded 1937)" by Giacomo Puccini, Mafalda Favero, Leo Blech, Hans Lange was released on January 1, 1990. The duration of Manon Lescaut: In quelle trine morbide (Recorded 1937) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Manon Lescaut: In quelle trine morbide (Recorded 1937)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Leo Blech, Hans Lange's "Great Singers Vol. 2 (Recorded 1903-1939)" album is number 18 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Manon Lescaut: In quelle trine morbide (Recorded 1937)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon Lescaut: In quelle trine morbide (Recorded 1937) by Giacomo Puccini, Mafalda Favero, Leo Blech, Hans Lange to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 1 | 12B | 101 BPM | ||
E lucevan le stelle - Tosca | Giuseppe Di Stefano | E♭ Minor | 3 | 2A | 82 BPM | ||
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM |
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