Joseph Haydn, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Horn Concerto No. 1 in D, H.VIId No. 3: 1. Allegro' came out on April 13, 2020. Horn Concerto No. 1 in D, H.VIId No. 3: 1. Allegro is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. This song is part of Work From Home With Haydn by Franz Joseph Haydn. The song's track number on the album is #83 out of 88 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Horn Concerto No. 1 in D, H.VIId No. 3: 1. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Horn Concerto No. 1 in D, H.VIId No. 3: 1. Allegro by Joseph Haydn, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Horn Concerto No. 1 in D, H.VIId No. 3: 1. Allegro being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto. Allegro molto - Trio | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 142 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": IV. Finale: Presto - Adagio | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 2 | 9B | 73 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
String Quartet in G Major: II. Andante moderato - Allegretto | Florence Beatrice Price, Pacifica Quartet | G Major | 1 | 9B | 99 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM | ||
Suite for String Orchestra, JW6 No. 2: III. Andante con Moto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | E Minor | 2 | 9A | 129 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM |
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