Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer made "Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": IV. Finale: Presto - Adagio" available on January 1, 1999. Since Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": IV. Finale: Presto - Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Great Haydn Symphonies: Orchestral Favourites, Vol. XVI" album is number 8 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": IV. Finale: Presto - Adagio is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": IV. Finale: Presto - Adagio by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
String Quartet in E-Flat Major, Op. 71 No. 3: I. Vivace | Franz Joseph Haydn, Maxwell Quartet | E♭ Major | 1 | 5B | 136 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 118 BPM | ||
Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Violin Concerto in D Minor, BWV 1052: III. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Minor | 3 | 6A | 121 BPM |
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