"Sheppard: Missa Cantate - 3c. Pleni sunt caeli" by John Sheppard, The Tallis Scholars, Peter Phillips was released on October 6, 2023. With Sheppard: Missa Cantate - 3c. Pleni sunt caeli being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Sheppard, The Tallis Scholars, Peter Phillips's "John Sheppard: Missa Cantate" album is number 23 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Sheppard: Missa Cantate - 3c. Pleni sunt caeli is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sheppard: Missa Cantate - 3c. Pleni sunt caeli by John Sheppard, The Tallis Scholars, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Barcelone (Barcelone-Bbc, ms. 971): Kyrie | Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard | F Major | 0 | 7B | 73 BPM | ||
Sheppard: Beata nobis gaudia - 7. Sit laus Patri cum Filio | John Sheppard, The Tallis Scholars, Peter Phillips | A Major | 0 | 11B | 120 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys | B♭ Major | 3 | 6B | 103 BPM | ||
Sheppard: Gaude virgo Christiphera - 4. Christum dico Dei gnatum | John Sheppard, The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 90 BPM | ||
Missa ex B: XXVII. Agnus Dei II - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | G Minor | 1 | 6A | 121 BPM | ||
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM |
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